Ted Noten (Swalmen, 1956) is a designer of bags and jewelry. Noten is know for his bags and jewelry made by casting objects in blocks of acrylate. His work has been acquired by Dutch and international museums.Read more about the artist
Sometimes he digs a pit. Simply for the sake of digging a pit. Sometimes he moves the entire contents of his studio to a museum. In the exhibition Non Zone, Ted Noten (Swalmen 1956) examines the sense and the apparent pointlessness of the artistic process.
New replication technologies such as scanning, 3D printing and digitisation are changing the professional practice of the jewellery designer. What does this mean for our notions of 'original' and 'copy'. And what is happening to traditional artistry? Noten explores this phenomenon in three of the museum's galleries. He has cleared out his studio in Amsterdam. In the empty space over the next few months he will return to the origins of his work. Each day he will send a message from the empty studio.
For Noten 'The Tower of Babel' is a representation of the struggles of the artistic process. It depicts both the ambition to build the ultimate structure and the impossibility of its realisation. In addition this masterpiece is, for Noten, an example of perfection in detail.
For his retrospective exhibition Framed at the Stedelijk Museum in Den Bosch in 2013 Noten sent a loan request for 'The Tower of Babel' to Museum Boijmans Van Beuningen. The request was written on a postcard of the painting and sent directly to the museums director. His request was denied, leading him to consider hanging a reproduction of the work. But would that have had the same effect? Eventually Noten decided against this plan. Now, two years later, he has brought the mountain to Muhammad. Using the materials from his studio, he has built his own tower in the vicinity of Bruegel's masterpiece. Meanwhile, Noten reflects on the future of his artistic practice in his empty studio.