Van der Stokker’s visual language of flowers, looping lines, clouds and curlicues in bold, bright colors, raises questions about what we regard as typically feminine. Her work can be placed in the tradition of feminist art, which does not conform to prevailing standards of good taste. As such, she often exploits concepts that are ‘b
anned’ from contemporary art, such as the frivolous and decorative.
The exhibition Lily van der Stokker - Friendly Good is her most extensive presentation in a museum so far and most of the works have not been shown in the Netherlands before.
Often incorporating words and phrases, Van der Stokker’s work is firmly rooted in the tradition of conceptual art. Similar to her conceptual forbears (Joseph Kosuth, Lawrence Weiner, Robert Barry), Van der Stokker uses text to explore the essence of art, although as she does so, asks very different questions. Can artists show failures? Is it alright for art to be untrue? Or funny and sweet?